Actor, faatonu, gaosiga, tusitala o le tele o tusi, tusiata talafaasolopito. Na te faia le mea e manaʻo ai e aunoa ma le popole i manatu o isi. E faapena foi i le tagata autu o le ata tifaga Why Him? Layard na faia e James Franco. O ia e atamai, mauoa, faʻalavelave, ma o lenei mea e faʻafefe ai le tama o lana pele. Sa matou talanoa i le tagata fai ata e uiga i ona lagona e uiga i le toa o le ata tifaga ma e uiga ia te ia lava.
O le uiga autu o lau amio Layard o le le mafai ona pepelo ma faafoliga, na o le faafiafiaina o isi. E oo lava i le tama o lana pele, o Ned …
James Franco: Yes, and that’s why the movie is so popular! We raised an important issue that is relevant to everyone and is as old as the world — the conflict of generations. The film shows that the eternal conflict of fathers and children lies in the unwillingness to accept each other. It’s not even that my character Layard doesn’t fit Ned’s daughter (Bryan Cranston) at all. In fact, I’m very good for her. It’s more that Ned doesn’t understand me.
Na ou lagona o le mea lea o loo taoto ai le feteenaiga. O Layard e faamaoni ma alofa, ae na te faia mea i se auala e foliga mai e matua ese lava. Ma sa le faigofie le taalo.
Ana manino mai le amataga o ia o se tagata lelei, ana iloa e Ned, semanu e leai se ata tifaga. O le mea lea, e le mafai e Layard ona foliga toʻa ma agamalu. Masalo sa na'o se augatupulaga va i le va o nei tagata e toalua. I le taimi o maimoaga a le aiga, o le a i ai tama i le itu a Ned, ma e mautinoa o le a fiafia Layard i tamaiti.
Pe sa faigata ona mafaufau pe fa'apefea ona fa'amamafa le malie o lau fa'afeagai ma Brian?
DF: It was very simple. Brian (Bryan Cranston — the performer of the role of Ned. — Approx. Ed.) Is so good that he feels these things. He perfectly understands the intricacies of partnership work, especially in comedy, where there is a lot of improvisation. If your partner has such a flair, it is as if you are creating music, playing jazz. You understand and complement each other.
E ui lava i le mea moni o tagata i le ata tifaga e le malamalama le tasi i le isi ma ona o lenei mea latou te feteʻenaʻi i taimi uma, latou te manaʻomia le tasi ma le isi. O le amio a lo'u tagata e faalagolago i le uiga o Brian. Ou te manaʻomia o ia o se faʻalavelave e faʻatoʻilaloina. E manaʻomia e Layard le faʻatagaga a Ned e faaipoipo i lona afafine.
E faalagolago foi Brian ia te aʻu: o loʻu uiga e tatau ona le fiafia ma ita ia te ia, aua o lona afafine o loʻo faaipoipo i se tama e matua le talafeagai mo ia. Afai ou te le faia lenei le mafaufau ma le amio valea, o le a leai sana mea e tali mai ai. Ma e pei lava o lena, afai e leai soʻu faʻalavelave i foliga o se tama e le o malie i le faaipoipoga, o le a le mafai ona ou faia laʻu vaega.
You say «we» as if you don’t separate yourself from the hero. There is indeed a similarity between you: you follow your convictions in art, but you are often criticized and misunderstood. Layard is also a nice guy, but Ned doesn’t see that…
DF: Afai e te tusia se mea tutusa, ioe, e le mafai ona ou pulea atoatoa loʻu ata lautele. E na'o se vaega e feso'ota'i ma mea ou te faia, ae tele lava e fa'atatau i manatu o isi tagata e uiga ia te a'u. Ma o nei faʻaaliga e lalagaina mai aʻu matafaioi ma faʻamatalaga mai mekasini ma isi punaoa.
I se taimi, na ou le toe popole i mea e le mafai ona ou puleaina. E le mafai ona ou faia se vaaiga ese o tagata ia te au. Ma sa amata ona ou maua le filemu ma e oo lava i le malie.
I le End of the World 2013: The Hollywood Apocalypse, sa matou taaalo ia i matou lava, lea sa faigofie ia te au. Na taʻu mai ia te aʻu o isi tagata taaalo na taʻu atu i le faatonu ia le itiiti ifo ma le tasi latou te mananao e taaalo i lenei mea po o lena mea. Ou te lei mauaina lena mea. Sa faigofie ia te au aua ou te le manatu mamafa i lo'u tagata lautele.
O oe o se fa'atonu fa'amanuiaina, e 'ese'ese au mea e fiafia i ai i fa'ata'ita'iga. E fesoasoani nei mea e fiafia i ai e malamalama ai i le galuega a se tagata fai pese?
DF: Ou te talitonu o mea uma ou te faia e fesootai. Ou te fiafia e manatu o nei gaioiga uma e fesoasoani ia te aʻu e galue ai ma le anotusi. Afai ei ai soʻu manatu, ou te mafaufau ma auʻiliʻili mai tulaga eseese ma e mafai ona ou maua se faʻatinoga sili ona lelei mo ia. Mo nisi mea, e tasi le fomu e manaʻomia, mo isi, e matua ese lava. Ou te fiafia pe a ou maua le avanoa e fai ai au lava filifiliga ma faatino.
O mea uma e feso'ota'i. A e fa'asa'o se ata, e te malamalama pe fa'apei foliga mai fafo, o a metotia e fa'aoga ma pe aisea. A e tusia se tusitusiga, e te aʻoaʻo e fausia tala, suʻe le mea autu ma suia le fausaga e faʻatatau i le uiga. O nei tomai uma e faaatoatoaina e le tasi le isi. Ou te talitonu o le tele o mea e fiafia i ai, ma sili atu ona eseese, o le sili atu lea o le faʻaalia e se tagata o ia lava ia i latou taʻitasi.
Ia i latou
James Franco: "Ou te fiafia i lenei sone - va"
“I lived in a serious, stable relationship for five years. She is also an actress. Everything was amazing. We lived together in Los Angeles. And then I went to New York for two years to film school and decided to stay in New York for the university for another two years. And this, apparently, was the end of the relationship for her. She no longer came to see me and avoided meetings when I ended up in Los Angeles. It is impossible for her to be together without being together physically… But for me it is not so. Together means together. No matter where. The same goes for professional and personal. Everything is personal, only distributed over different life zones. There is no separation in life — this is me at work, but this is me with the one I love. I am always me.»
Faitau mafaufauga o James Franco i le olaga e aunoa ma se faʻamoemoega, o le ute o le gaioiga ma faʻafitauli talavou i la matou faatalanoaga. James Franco: «I love this zone — between.»